Last night I had a new piece, Always, Ghosts, played by the Composers’ Collective ensemble at the National Opera Center in NYC. Written for piano, cello, clarinet and horn, its a relatively short piece. The musicians were amazing and I look forward to getting the audio and video we had captured posted here. Here are my notes on the composition:
Always, Ghosts was composed as an intention to be a short film. In four parts, entrance, searching, realization, and exit, the music follows the plot of a ghost experiencing these moments and thoughts. The piano is the foundation of the scenery while the cello, clarinet, and horn together act as its observations. In the story, the ghost comes into reality floating, pre-dawn, over the Hudson, returns home to find its child asleep in bed, finds its own body in the woods, concludes its wife was the murderer, and then leaves this plane resigning itself to confusion, sadness, and helplessness. Set in a summer scene on the Hudson River, the composer found inspiration from very early train trips. He would listen to solo string music between New York City and his childhood home in Albany, seeing the sleepy old towns in the grey morning light.